Aesthetix is proud to introduce the Pandora and Romulus. They join our Saturn Series, recognized around the world for outstanding performance, build quality, and user interface. High quality construction techniques include an all-aluminum chassis, stainless steel faraday cage to isolate digital sections, multiple power transformers in a stainless steel enclosure, and multiple regulation stages. These components raise the bar for all digital products and are the ideal match for our Janus and Calypso preamps, and Atlas power amplifiers.
Pandora and Romulus
The Pandora is a vacuum tube based digital-to-analog converter with one USB and three SPDIF inputs. The Romulus includes the same features and construction as Pandora, but adds a CD transport mechanism.
Ultra Low Jitter USB and SPDIF
The Pandora USB solution uses the asynchronous transfer mode licensed from Gordon Rankin / Wavelength Technologies with an ultra-low jitter fixed-frequency crystal clock immediately adjacent to the DAC. This technology allows for jitter levels over one hundred times lower than previous USB solutions. USB is capable of Class 1 audio up to 96KHz / 24bit and Class 2 audio up to 192KHz / 24bit. SPDIF/AES inputs use a unique jitter reduction technology that offers jitter performance on par with asynchronous USB and are also capable of up to 192KHz / 24 bit.
USB Noise Isolation
To combat computer generated noise pollution, we have designed in optical couplers that galvanically isolate the USB input and processing sections from the DSP section, including ground. There is no continuity between any part of the USB input and any part of the Pandora digital or analog sections. While expensive and difficult to do, it achieves a huge sound quality improvement over a directly-connected USB section that allows noise to infiltrate the audio circuitry.
The DSP section utilizes the Motorola DSP 56362 for our specially designed oversampling filters, which adapt according to the incoming sample rate. Over 1.5 megabytes of static memory buffering is selectively used to completely isolate incoming data from USB and SPDIF from outgoing data to the DAC.
The clock section of a digital product is absolutely critical for audio performance. Any jitter (tiny timing variations) or noise will cause the DAC device to perform analog conversions at incorrect and varying rates, causing clearly audible negative effects. The easiest timing solution - but also the most jitter prone - is to simply allow the DAC to use the clock of the incoming source device. A slightly better solution is to incorporate an internal clock at the DAC using an off the shelf crystal oscillator to regulate the timing. Pandora takes this a step further by utilizing specially manufactured crystal oscillators custom cut to our exacting specifications. These crystals offer radically lower jitter and noise than any standard issue part. There are separate crystals for 44.1KHz based sources (44.1, 88.2, 176.4KHz) and 48KHz based sources (49, 96, 192KHz). The clock section is powered by its own discretely regulated power supply, to isolate it from the DAC.
Fully Differential DAC
Digital to analog conversion is performed by the Burr-Brown PCM 1792A run in pure differential mode. Differential mode is a critical implementation feature that only amplifies the audio signal itself, cancelling noise and other digital artifacts. The digital side is isolated from the analog side, with discretely-regulated separate power supplies for each. Special attention is given to circuit layout and component selection.
Vacuum Tube Amplification
The Aesthetix reputation for state-of-the-art analog stages is continued in the Pandora, which features a current-sourced fully differential zero feedback vacuum tube amplifier (12AX7) being fed from the DAC. Differential amplifiers have the unique ability of rejecting "common mode" signals, particularly useful in digital audio products, where high speed clocks and other digital noise can disrupt the delicate analog circuitry. Both Pandora and Romulus feature Rel-Cap polypropylene coupling capacitors and Roederstein metal film resistors. Ground noise is reduced by using two separate, discretely regulated positive and negative power supplies for the voltage gain section.
Vacuum Tube Output Stage
Output buffering is performed by one 6922 per channel, also run in pure differential mode with zero feedback. This is a unique configuration, providing much of the benefit of balanced operation for single-ended outputs. The output section also has separate discretely regulated positive and negative supplies which are completely isolated from the voltage gain power supplies.
As with every Aesthetix product, Pandora power supplies received tremendous attention. If a single transformer is used to supply all the necessary voltages and currents in a product, digital noise is allowed to easily traverse the transformer windings through stray capacitance and pollute the delicate analog sections. Separate windings help, but only a little. The real solution is separate transformers, where no interaction can occur between windings. The Pandora digital / DSP section is given its own transformer and regulated power supply. Individual digital sections are further locally regulated to isolate them from each other. An additional transformer and dedicated regulator are used just for the control system. A further special transformer is custom manufactured for Aesthetix for the analog sections, where six separate windings and regulation stages are used for the critical functions described above.
Dedicated and Isolated CD Transport
Romulus builds upon the Pandora's unique feature set and performance by adding a dedicated Red Book CD transport. A special audio-purpose Teac mechanism is used, but instead of running from SPDIF or other jitter-prone serial connections, data is retrieved from the IDE bus. This allows the DAC's master clock to be in complete control of the timing of the audio data and yields the minimum possible level of jitter. Completely enclosed in its own faraday cage, the transport is electrically, mechanically and magnetically isolated from the rest of the DAC. Two separate transformers and three linear regulation stages are added to further isolate the transport mechanism from the rest of the digital-to-analog converter.
High Resolution Volume Control (Optional)
An optional high resolution relay-based volume control may be added to either Pandora or Romulus, allowing the units to directly drive a power amplifier, ideal for many systems. The volume control for Pandora and Romulus is very special. Typical digital products control volume entirely in the digital domain, where every 6dB of volume attenuation causes a loss of 1 bit of resolution. This means since most listening is done in the -30dB range, if one were playing a CD with 16 bit resolution and attenuating at 30dB, only 11 bits of resolution would remain, an incredible loss. The Pandora and Romulus volume control prevents all resolution loss by operating partially in the digital domain for small 1dB steps and partially in the analog domain using relay-based switched resistors for large 6dB steps. Using this method, eighty-eight 1dB steps are created with zero loss of resolution.
Aesthetix Romulus and Pandora are now available in a Signature version. Existing Romulus and Pandora units are factory upgradable to Signature.
True Native DSD
Romulus and Pandora Signature offer true native DSD 1x and 2x functionality over USB. The entire DSP processing section is replaced (pictured above, click to enlarge). The new section includes an advanced Xilinx gate-array which allows the DSP to be completely bypassed for pure DSD 1x and 2x operation. No alteration of DSD data occurs. Many DACs in the market that claim to play DSD actually convert the data to PCM and thereby completely lose the purpose of DSD operation.
Vishay Z-Foil Resistors
In addition to the DSP processing section, an entirely new analog board is installed (pictured above, click to enlarge). This new analog board also allows DSD data to pass directly to the DAC, a Burr-Brown PCM1792A running in pure differential mode. Extremely low noise, high linearity Vishay Z-foil audio resistors are utilized in the critical current-to-voltage conversion stage (pictured above, click to enlarge).
As in all Saturn Signature products, critical coupling capacitors are replaced with Dynamicaps from Peter Moncrief. Four are installed between the vacuum-tube gain stage and output stage, all in full differential mode. These provide increased resolution, less grain, greater high frequency extension and naturalness, all while maintaining the basic strengths of Romulus' tonal balance. The eight 2uF output capacitors are replaced with 4uF Dynamicaps which provide greater resolution in addition to improved bass definition, drive and dynamics. (pictured above, click to enlarge).
The four standard rubber feet are replaced with Harmonic Resolutions Systems' Nimbus Couplers specially made for Aesthetix. This change lowers the noise floor and adds more air and space.
First phase: Internal changes start with .22uF / 600v Stealth coupling capacitors used between the gain stage and output stage. Four total of these exotic capacitors are used. There are four 2uF / 400v coupling capacitors used in each channel of the output stage. In the Eclipse version, these are replaced with Stealth copper foil 4uF/400v, improving low frequency response. Third phase: The main transformer is re-installed on isolation mounts. Harmonic Resolutions Systems' Nimbus Couplers specially made for Aesthetix replace the four rubber feet of standard units (as also found on our Signature version). The new power supply is installed with enhanced ventilation. Additional damping material is added to key chassis points. Fourth phase: A single point ground system is used to ground the transformer cases as they are no longer electrically grounded to the chassis via physical contact due to their isolation mounts.
- Card-based DAC with three digital input slots.
- AES/EBU, RCA Coax, Toslink standard on digital input 1 slot.
- AES/EBU and RCA Coax SPDIF capable of 192KHz / 24 bit.
- Digital section capable of the following frequencies: 32KHz, 44.1KHz, 48KHz, 88.2KHz, 96KHz, 176.4KHz, 192KHz, all with 24 bit resolution.
- USB standard on digital input 2 slot.
- USB capable of class 1 audio (96KHz, 24bit) and class 2 audio (192KHz, 24bit).
- 2nd USB input optional.
- Asynchronous transfer mode for USB input, licensed from Gordon Rankin / Wavelength Technologies. This technology allows for jitter levels over a hundred times lower than previous USB solutions.
- DSP based digital section using Motorola DSP56362 for digital filters.
- DAC section based on Burr-Brown PCM1792A.
- Analog section featuring four vacuum tubes in differential configuration (2x 12AX7, 2x 6DJ8/6922).
- Zero feedback analog circuitry.
- Balanced and single-ended outputs.
- Volume control optional, allows DAC to drive a power amplifier directly. Relay-based switched resistor analog/digital design.
- Remote control of all functions.
- Multiple stainless steel faraday cages isolate critical digital, analog and power supply sections.
- Three transformers, one for critical digital circuits, one for analog circuits and one for control functions.
- All aluminum chassis construction.
- RS232 control.
- 12v trigger.
- Available in black or silver faceplate.
- Unit Weight: 35 Lbs
- Dimensions: 18" width x 4 3/8" height x 18" depth
SPECIFICATIONS: ROMULUS (The Romulus includes the same features and construction as Pandora, but adds a CD transport mechanism)
- CD mechanism is a Teac drive specially designed for audio, Red Book only.
- Two-transformer based power supply dedicated only to drive.
- CD clock source is ultra high quality crystal oscillator located at the DAC chip, for lowest possible jitter.
- Available in black or silver faceplate.
- Unit Weight: 40 Lbs
- Dimensions: 18" width x 4 3/8" height x 18" depth
This all-tubed CD player and DAC is one of the greatest bargains in high-end audio today. What makes the Romulus special is that it sounds so "un-digital," particularly at this price. Rather than sounding flat and congealed, the Romulus opens up the spatial presentation and gives instruments and voices room to breathe. The player has an expansive quality along with a sense of top-octave air and openness. The tonal balance is rich and warm in the bass, which, coupled with the treble smoothness, results in an immediately engaging and fatigue-free presentation. The Romulus doesn't sound "tubey" in the classic sense, but neither does it sound like solid-state. The design and build-quality are beyond what's expected at this price. If you have no analog sources, the Romulus can serve as a preamplifier and DAC with multiple digital inputs, provided you purchase the variable-output option ($1000). Thanks to an innovative hybrid analog/digital volume-control, there's no loss of resolution no matter what the volume setting."
Robert Harley, The Absolute Sound Golden Ear Award
"Excellent dynamic impact and bass slam with sweet mids and highs."
Jon Iverson, Stereophile
"Tonally one of the most musical players there is... harmonious, colorful, fast and powerful... I have never heard computer audio of this quality."
Michael Lang, STEREO
"...vivid dynamic contrast... vibrant sound... excellent analytics... with a taste of vinyl texture..."
Sam Ho, HiFi Review
The Absolute Sound
Pandora/Romulus Tube Locations