MIT AAC 169

Articulation Control Console Speaker Cable 8FT=2,4M /pair

€ 47.300,00 Price include 21% VAT Price exclude VAT € 39.090,91

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The moniker Note Perfect was chosen by Bruce Brisson to represent MIT product or products that meet or exceed his best expectations. Look for this symbol of excellence when working on systems that are intended to return performance without peer.

ACC 169 and ACC 173BW are the first of the three ACC Series performance levels, suited to any high resolution speaker that is dynamic and well powered. The unique enclosure is designed to allow the large “music hose” to couple with the face, or dashboard end of the enclosure and the output tails exit the opposite end at the binding posts. This allows easy access to the unique ACC controls for swift and accurate setup. There are 169 MIT poles of articulation inside and at work preserving the delicate and complex musical signal. At the same time it is storing and delivering reserve power to the driver complement, whenever additional energy is required by the performance. This is where the 2C3D effect is realized. When the ACC 169 or 173BW’s are installed in a top tier system, musical presentation will seem faster and begin to “pop” and “hang in space” while remaining “easy” or “open” sounding and articulate in detail.

Available in Single ended and Bi-Wire Configuration at request.

Features & Benefits

- Multipole Technology–169 Poles of Articulation (173 Bi-Wired): preserves the delicate and complex musical signals across the entire audio bandwidth.

- 2C3D Technology–Activating the 2C3D switch allows more power to be delivered to the Multipole circuitry to produce or “throw” more energy into the room, furthering the “suspension of disbelief”.

- Fractional Articulation Technology (F.A.T.)– improves the natural textures and density of the music so more of the audio signal is properly transported through the interface.

- JFA II (Jitter Free Analog II)– eliminates low level “jitter” or “blur” so that low level detail is enhanced and spatial cues are believable.

The ACC 169 and 173BW are the first of the three performance levels, suited to any high resolution speaker that is dynamic and well powered. The unique enclosure is designed to allow the large Music Hose® to couple with the face, or dashboard end of the enclosure, while the output tails exit the opposite end nearest the binding posts of the speaker. This allows easy access to the ACC controls for swift and accurate setup. There are 169 Poles of Articulation inside at work preserving a delicate and complex musical signal. At the same time it is storing and delivering reserve power to the driver complement, whenever additional energy is required by the audio signal. When either the ACC 169 or 173BW interfaces are installed in a top-tier system, a musical presentation will seem faster and begin to “pop” and “hang in space”, while remaining articulate and “easy” or “open sounding” in detail.

Fractional Articulation Technology™

Prior to 2007, the thrust of MIT Cables’ engineering focused on optimizing a cable’s ability to transport an audio signal octave-to-octave. In 2007, MIT introduced Maximum Articulation technology which built upon previous Oracle designs to include the optimization of harmonics outside the octave. In 2010, this technology was expanded to allow the user to fine tune system articulation, helping to further maintain harmonics within the signal, preserving pitch and ensuring the consonance or integrity of the musical experience. Fractional Articulation Technology (F.A.T.) was derived from a test and measurement technique called Fractional Octave Analysis, going another step in optimizing and maintaining the harmonic structure of the audio signal. Instead of concentrating on harmonics outside the octave, harmonic optimization within the octave is achieved, improving the natural textures and density of the music. In essence, by combining both Maximum Articulation and Fractional Articulation technologies, more of the audio signal is properly transported through the interface.

ACC Series “Dashboard”

Discreet articulation control is now possible over three sections of the bandwidth, allowing the listener to adjust for challenging room conditions, equipment changes and (sometimes) software choices. To the left of the three Articulation control knobs is a fourth switch. With this control, the listener can choose to activate or disable the 2C3D circuitry with a simple “on-off” selector. Enabling the 2C3D switch allows more power to be delivered to the Multipole circuitry to produce or “throw” more energy into the room, furthering the “suspension of disbelief”. That is, the listener is more likely to believe that a live performance is within the same air space. This effect occurs when the additional energy couples with the physical body of the listener. We call this a “visceral” response to an audio event!

JFA II—Jitter Free Analog II is an update designed to control a commonly misunderstood effect occurring in most audio systems. This effect is the result of an electrical event

that causes the fundamental, or its harmonics, to quickly jitter or “shuttle” slightly within the sonic envelope. It’s perceived by the mind’s eye as a blur, or halo effect emanating from the sonic image. This phenomenon is damaging to articulation, timbre and the complex textures of music. With JFA II, low level detail is enhanced and spatial cues are believable.

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MIT AAC 169

Articulation Control Console Speaker Cable 8FT=2,4M /pair